Culture

Afro-Brazilian Artifacts Now Displayed In Rio Museum

City officials recently agreed to give a proper place to Afro-Brazilian religious artifacts in the Rio Museum after being seized for more than 100 years by Rio’s police, for ‘black witchcraft’ practices.

From 1889 to 1945, roughly 600 religious pieces were taken and stored at Rio de Janeiro’s Police Museum building in a section called “Black Witchcraft.”

Now, the Afro-Brazilian artifacts belong to Brazil’s Museum of the Republic, where they will be stored as historic pieces instead of ‘evil material.’ They will also be cataloged with the assistance of Afro-Brazilian religious leaders.

This is a historical movement, especially after more than 300 years of racial persecution.

According to Travel Noire, Brazil’s Constitution defined the Brazilian state as secular and granted freedom of religion for its citizens, since 1891 but state repression against Afro-Brazilian religion continued— mainly during the first half of the 20th century. Afro-Brazilian religious leaders and practitioners were jailed for following their religious beliefs, and their religious artifacts were confiscated by the police.

According to research carried out by Rio de Janeiro Federal University, it is believed that roughly 1,000 people were jailed in the period.

“This is a new chapter for Afro-Brazilian religion practitioners,” Dolores Lima told Travel Noire. Lima is a ‘Mãe de Santo’ (Mother of Saint), a priestess of Candomblé. She was a member of the team called “Free My Holy Religion” formed to demand Rio’s government officials to display the Afro-Brazilian artifacts at the museum.

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For the ‘Mãe de Santo’,  the Afro-Brazilian religious pieces carry the history of these religions and show how Brazil has institutionalized racism in the country throughout history.

“The collection helps to create a process of wiping out the negative effects caused by the Brazilian state towards the religion of our ancestors. They were not mere religious pieces. They connected us to our ancestors in a very profound spirituality manner,” she said.

Candomblé is an Afro-Brazilian religious practice linked to Benin, Nigeria and Togo brought by enslaved Africans to Brazil.

“We as Afro-Brazilians from Candomblé and Umbanda, have always worked to preserve our African identity. Now, people will have access to know our sacred history. We want this collection to be in a place where people can visit and get to know it,”  Lima added.

The next movement now is to catalogue the pieces. Thus, the participation of religious leaders will be crucial for identifying the collection. For Lima, the next challenge is to prevent further violations against the Afro-Brazilian religion.

Aziah Kamari

Aziah Kamari Pless is a writer and content creator with 5+ years of experience in freelance writer, editor and PR roles. A graduate of Florida State University, she received her Bachelor of Arts degree in English: Editing, Writing and Media. She incorporates her interests in music, fashion, media and entertainment to create versatile and compelling content.

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Aziah Kamari